Competitions

Competition Results – Photography – September 2026

The theme for the August photography competition was ‘Scapes’:  a representation of land, sea, seashore or urban environments that captures the aesthetic appeal of these outdoor settings.  We had 19 entries this month. 

1st place:  Fiery Sunrise by Brenton Elsey, Newcastle. 

Clare says:  The exceptional sky provides strong visual impact, with the reflected colour creating a cohesive palette.  The sweeping shoreline gives excellent depth and leads the eye naturally into the scene. 

2nd place:  An Idyllic Escape by Dianne Williams, Newcastle 

Clare says:  Excellent coastal landscape with the sweeping tree branches creating a strong natural frame and the sandy path leading the eye directly towards the beach and ocean. The vibrant colours, layered foreground and turquoise sea create a strong sense of place and invitation, although the large dark branches dominate slightly and compete with the seascape. 

3rd place:  Magical Lord Howe by Judy Wallace, Newcastle 

Clare says: Excellent use of the Norfolk Island pines as a natural frame around the spectacular landscape. Strong sense of place, depth and layering; the turquoise water provides a compelling focal area. 

Unplaced: Fjordscape Norway by Cynthia Langley, AUSOM 

Fjordscape Norway by Cynthia Langley, AUSOM

Clare says: Lovely golden-hour light on the foreground rocks contrasts beautifully with the cool water and distant landscape. Strong foreground texture, although the enormous cloud mass dominates slightly too much. 

Unplaced:  Mists of Protesters Falls by Gerry Eastwood, Newcastle 

Clare says: Beautiful atmospheric quality, with mist and filtered light creating depth through the forest. The waterfall gives the image a clear visual destination, although the foreground is slightly busy. 

Unplaced:  Fairy Chimneys of Turkey by Deirdre Eastwood, Newcastle 

Clare says:  Outstanding sense of scale and an inherently fascinating landscape, with excellent repetition of the rock formations. Strong detail throughout, although the composition could benefit from a slightly stronger foreground focal point. 

Unplaced:  At the going down of the sun by Lindsay Threadgate, Newcastle 

Clare says:  The silhouettes of people create a strong human element and give the sunset a story rather than being simply another sunset photograph. Beautiful golden light, although some foreground figures merge together and become slightly confusing. 

Unplaced: Sunset Brilliance by Marjorie Stanton, Newcastle 

Clare says: The sunset is beautifully captured, with the warm golden light reflected across the water and the silhouetted trees creating a natural frame around the scene. The small boat is particularly effective as a focal point and provides scale, while the layered trees, water, distant land and sky create a genuine sense of depth. 

Unplaced: Stormy Beachscape by Carmel Smith, Newcastle 

Clare says: Excellent mood, with the dramatic cloud cover and subdued sea creating a convincing storm atmosphere. The beach/sea curve gives good depth, although the large dark foreground occupies considerable space. 

Unplaced:  Tranquil Sunset by Harold Franks, Newcastle 

Clare says: A beautiful and atmospheric seascape, with the dramatic pink and orange sky reflected across the ocean and the silhouetted vegetation creating an effective natural frame.  The composition has good depth and a strong sense of place, although the heavy foreground vegetation competes somewhat with the spectacular sky and the colour treatment is quite saturated. 

Unplaced:  Serenity at Shoal Bay by Maree King, Newcastle 

Clare says: Strong seascape with the sun, reflective path across the water and silhouetted headlands creating a simple, balanced composition and clear sense of place. The warm light and textured sand add atmosphere and foreground interest, although the large expanse of relatively empty sky slightly reduces the visual impact 

Unplaced: Waterscape by Pam Doughty, AUSOM 

Clare says: Interesting capture of a dramatic urban water event, with the fountain and approaching bus creating a sense of action. The image tells a story, but the numerous competing elements make the composition less refined. 

Unplaced:  Streetscape Montreal 2026 by Annette Walker, Newcastle 

Clare says: Excellent combination of street life, architecture, vegetation and the striking mural. Lots of visual interest and a strong sense of place; however, there are so many elements that the eye struggles to settle on one dominant subject. 

Unplaced:  Just before the thunderstorm by Jan Dods, AUSOM 

Clare says: Dramatic sky and atmospheric light create a strong sense of impending weather. The architectural landscape gives context, but the foreground railing and buildings compete with the dramatic sky. 

Unplaced:  A cold morning by Sally Morton, Manly 

Clare says: The mist creates a lovely atmospheric, distinctly Australian landscape. Strong silhouettes and tonal range, but the composition lacks a really compelling focal point to elevate it above the other entries. 

Unplaced:  The Break of Dawn by Beryl Elsey, Newcastle 

Clare says:  The dramatic sun/cloud combination provides good atmosphere and the ships add scale. The horizon is quite central and the dark sea occupies a lot of the frame, reducing compositional tension. 

Unplaced:  Beach Cricket by Heather Close, AUSOM 

Clare says: The human activity gives this image something different from the many scenic landscapes, and the raised arm provides a small focal point. However, the subjects are too small and dispersed, so the image lacks visual impact.

Unplaced:  Picasso Screen-scape by Barry Keen, Newcastle 

Clare says: An interesting and imaginative interpretation of “Scapes”, with the projected artwork and people creating a distinctive scene. However, it feels more like an event/documentary photograph than a strong competition landscape or “scape” image. 

Unplaced: Scapes by Bill Oldham, AUSOM 

Clare says:  The close-up reveals fascinating textures and an unusual structure, with the red and cream tones creating a strong visual contrast. However, not closely aligned to the theme of ‘Scapes’ 

Photography Challenge for September 

The theme for the September photography competition is ‘Patterns in Nature’.  Ideas might include tidal sand flats, sand dunes, spiralling fern fronds, cracked dry earth, eucalyptus bark, light refracting through ocean waves.  We’re looking for intentional composition and the use of natural light to achieve visual rhythm, balance and finding pattern and structure in chaotic environments.  The deadline is 25 September. 

Club Scoreboard 

We started this competition in September 2025, so it’s time to sum up the 2025-2026 Club Scoreboard and congratulate the winners. 

Computer Pals for Seniors Newcastle placed first with 135 points.  Their members entered enthusiastically and successfully in both creative writing and photography competitions. 

AUSOM placed second with 68 points. 

Manly Computer Pals placed third with 24 points. 

We also had a few entries from Northern Beaches and Computer Pals for Seniors The Hills. 

We hope you’ve enjoyed this year’s competition.  As Newcastle has demonstrated, ‘you have to be in it to win it’. 

Competition Results – Photography – September 2026 Read More »

Bikers fixing a woman’s car while she stands by holding her son.

ASCCA Competitions – Creative Writing

Creative writing competition results 

We had ten entries in the creative writing competition that closed on 25 August.  The theme was The Stranger, and the entries covered diverse themes:  history, fear, grief, kindness, robots and murder.  What made the winning entries stand out was their use of small details to convey setting and emotion – showing, not telling. 

Carmel Smith, Newcastle – 1st 

Carmel’s very moving story uses descriptive detail (bonnet latch, bushy beard, names of the bikers) to describe how her initial fear of a biker gang changed to gratitude.  See Carmel’s story below. 

Annette Walker, Newcastle – 2nd  

Annette uses vivid sensory details to describe her experience as a young backpacker in Europe.  Her feelings (grief at the beginning, gratitude to the stranger who helped her at the end) are shown through action.   

Pam Doughty, AUSOM – 3rd 

Pam’s funny, warm-hearted poem is about an AI robot who has something to learn about humans.  The details are what make the humour work – the fridge over-ordering the milk, the washing machine complaining about odd socks, the trip to Timbuktu. 

Barry Keen, Newcastle – HC 

Barry describes how he has filled his life with friends and activities since the death of his wife.  The Stranger is Barry’s unknown future self as he deals with his loss, and this powerful metaphor frames his story. 

Lindsay Threadgate, Newcastle – HC 

Lindsay uses historical detail to establish the setting for this well-observed study of a mysterious neighbour from his childhood.  This piece ends with Lindsay’s adult reflection on Browny’s story. 

The Stranger by Carmel Smith 

My stranger and I met at 9.30 on a dark, cold night on Coronation Drive round Queen Victoria Park in Brisbane.  

My toddler son had undergone eye surgery in the Royal Brisbane Children’s Hospital a week before and I was returning to my accommodation to prepare for our trip home next day.  

Then it happened! My car engine died.  

With a rumble of motors, my car was surrounded by motorbikes. Fifty-five years ago all bikers were looked at askance because of the actions of a few clubs.  

I was beyond terrified when one huge man approached and tried to talk to me. All I saw in the dim street-light was danger wearing leathers, helmet and a bushy beard.  

When he opened the door I was too paralyzed with fear to speak more than a couple of words in answer to his questions about my car. He seemed to understand my fear, kept speaking reassuringly and eventually got me to pull the bonnet latch so he could check my engine in the headlights of the bikes. He chatted gently to me, enough to learn why I was in that vicinity at that time of night, then asked another biker to check why my car wouldn’t go. 

That man tinkered in the engine and got it started then they followed me to my accommodation waiting while I parked and went inside.  

Next morning when I came out to my car to go collect my son and go home to my little country town the bikers were there going over my car, replacing plug leads, rotor button and distributor cap so the car ran smoothly. 

They followed me to the Hospital and waited while I collected my son. His shriek of absolute delight at spotting the bikes led them to give him the treat of his life. Each of these huge hairy bikers had to take my son on a gentle ride around the hospital car-park, held securely against their leather-clad chests while he chuckled and chortled in glee. While waiting for each ride to be over and awaiting their turn with him, the other bikers continued working on my car and gave me a list of what needed fixing.  

All rides over and my son ensconced in his car seat, we set out for home. The bikers surrounded us and escorted us out through Brisbane to Chermside shopping centre where Sean seemed to realize we would be leaving his new friends behind and became teary. I pulled into the carpark where they all said goodbye to their “Little Dude” and wished him well in life.  

Later, at home, I found sixty-five dollars in the glovebox with a note saying “to help with repairs”.  

We met and parted as strangers because I knew them only as Bear, Tango, Curly, Ringer, Ranger, Paddy, Dandy and Jacko.  

My son never lost his love of motorbikes and still rides whenever he can.  

Bikers are not always fearsome, some are angels with wheels instead of wings. 

Theme for next Creative Writing competiton 

Entries for the next creative writing competition are due by 25th November 2026.  The theme is Myths and Lies. 

ASCCA Competitions – Creative Writing Read More »